Films of Su Friedrich, The: Volume 5 – The Odds of Recovery

Film Maker
Outcast Films
Year
2002
Country
U.S.A.
Language
Format
16mm
Length
65
Genre
documentary, experimental, queer
Category
body, LGBTQ, Mental Health, Portraits, Work about Women, Work by Women

After a twenty-year period of multiple illnesses and injuries, Friedrich turns the camera on herself as a way to analyze her chances for a happier, healthier life. In the process, she captures the frustration, tedium and petty annoyances of a revolving-door relationship with the medical establishment, while portraying the complicated web of emotions that accompany any medical problem. With humor and honesty, “The Odds of Recovery” uses the filmmaker’s medical history as a means to address a perennial human problem: the desire to avoid conflict and deny the need for radical change. “…plays with the genre of the self-portrait…all in interwoven layers of narrative…allows us to see a life and a relationship through these transparent and yet illuminating layers.” – Brian Kiteley, English & Creative Writing, DUKE UNIVERSITY “Friedrich makes flinty and form-minded, extremely pragmatic, highly personal, affecting movies.”- J. Hoberman THE VILLAGE VOICE “Friedrich’s latest feature takes a sometimes discomfiting but engrossing, good-humored look at her own long history of medical problems…Deftly assembled pic captures the frustration, tedium and petty annoyances of a revolving-door relationship with medical practitioners…”Recovery” [also] nicely limns the satisfaction brought by creativity in the kitchen and garden, with latter’s seasonal changes providing an overall conceptual frame…Nearly one-woman package is confidently assembled, with plenty of hands-on authorial flavor.” – Dennis Harvey, VARIETY PLUS BONUS FILM: Scar TissueTHE HEAD OF A PIN 21 minutes, Color, USA, 2004, Video THE HEAD OF A PIN reveals the awkward ruminations of the filmmaker and her friends as they attempt to learn about nature. Starting out as an examination of the differences between urban and rural life, the film turns unexpectedly into a wry portrait of what happens when city dwellers encounter a country spider.

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