This abstract travelogue flies just over the surface of the Canadian Shield in Northern Ontario. “Plein Air” is an engrossing sonic and visual trip and a continuation of Kerr’s fascination with landscape cinema.
Filter Films
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“In a compelling narrative, a woman relates the trials of a hungry man who will go to great lengths to be fed. This latest work by Ann Marie Fleming once again demonstrates the artist’s delicious sense of the absurd. Featuring Valerie Buhagiar, Howard and His Doghouse and the off-screen presence of Ahmed, a master of tall tales.” – Images Festival of Independent Film & Video, Toronto, 1995
Pleasure Film (Ahmed’s Story)
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The film draws an analogy between the cutting and suturing of the human body and the reconstruction of the world through film. Using optical printing techniques, it connects diverse elements in a dream-like flow: a vision of mind at play amid the anxieties of our society. It ‘s also an operation on our image systems, including cinema.
Plastic Surgery
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“Places to Stay” deals with the filmmaker’s impressions as a child immigrant in the 1950s and 1960s; of being relocated from Germany to northern Quebec and northern Ontario, and the subsequent displacement she felt in her new country and culture. Her German heritage caused her to experience a great deal of guilt, confusion and alienation – feelings which pervaded her entire public and high school education. It was not until 1989, a few months before the Berlin Wall came down, that she was able to return to Germany for the first time since leaving there as a small child. Another aspect to this story is the move her family made from a small city in Germany to the remote bush towns in the mining districts of Canada’s northern regions. The isolations of these landscapes provides a compelling contrast to the personal isolation described in the narration. Edie Steiner is also a composer and musician, and “Places to Stay” features a number of original songs written specifically for the film.
Places to Stay
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“In Ann Marie Fleming’s ‘Pioneers of X-Ray Technology’ (a film about Grandpa), super-8 home movies are only one part of the film’s cooly complex structure. The first time I saw ‘Pioneers’ it looked like an uncomplicated portrait of Fleming’s grandfather, Dr. Ernest To, who was a photographer, amateur filmmaker and Hong Kong radiologist. On second viewing, the film’s ambivalence towards its subject becomes clear. “Fleming (‘You Take Care Now,’ ‘New Shoes’) is known for the ‘quirkiness’ of her films, but she’s above all a brilliant editor, both cinematographically and conceptually. Like nearly all her films, ‘Pioneers’ benefits from remarkable compression. Ideas comes at you from around corners, images and lines of dialogue pack an immediate punch, then resonate through the film and beyond it.” – Cameron Bailey, Now Magazine “’Pioneers of X-Ray Technology’ is a portrait of the filmmaker’s grandfather. A 91-year-old Chinese man, his gravelly voice answers in response to the filmmaker’s questions – turning over the subjects of his schooling, profession, the war and his trips abroad. In each of these incarnations he is an insatiable producer of images – setting up the first public darkroom facility in a Hong Kong, winning awards as an amateur photographer, x-raying potential immigrants and shooting miles of 16mm footage on his innumerable travels. Now, nearing the end of his days, he has been brought before the camera to tell the story of these images, the story in which he names himself.” (Mike Hoolboom)
Pioneers of X-Ray Technology
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He delivered three essays, without stopping, except for reel change and camera breakdown: 1) Mont Laurier; 2) Quebec history and race; 3) women’s liberation. Everything which happened is recorded on film. It was a one-shot affair, I either got him on film or I missed. What we see on film is the mouth of a revolutionary, extremely close, his lips, his teeth, his spittle, his tongue which rolls so beautifully through his French, and finally the reflections in his teeth of the window behind me. (JW)
Pierre Vallières
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After a six -or seven- year study of Hammurabi’s Code, original Babylonian Text and translation, I’ve tried to feel my way into the moving visual thought process of this ancient culture (whose numerical system is composed primarily of building materials, nails, joints and the like): this, then, is a visual music which balances the two thought processes of Structure and Nature.
Babylon Series #1
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This lyric brief is a meditation on the natural world, its carefully wrought superimpositions of sky, leaves and chromatic close-ups a powerfully felt evocation of animistic surround. Photographed with a keen eye for detail, Kneller’s painterly overlays collage these moments into a gently flowing homage to the present.
Picture Start
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Psychological ink blots come to life. A story for everyone – you bring the plot. Disturbing subject matter regarding religion and sex.
Picture Show
