A hand-processed diary film about memory, family and loss told through snapshots and landscapes in and around Ontario. Music by Sam Phillips. Screenings include: 2008 Berlin International Film Festival (in Forum Expanded section), 2008 Rotterdam International Film Festival. “nostagia isn’t what it used to be, i can only picture the disappearing world when you touch me”
Filter Films
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It was all started by a Red Robin who one day in the spring, obsessively went after his double in the large mirror at the end of our garden. Just having fun with the surrounding consequences regarding storage, openings, motion and nature, among others.
Armoire
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Through pixilation, a male centre-fold attempts to embellish his features – only to take on more than he can handle.
Bare
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In February of 1943, a fissure appeared in the cornfield of Dionisio Pulido, a farmer in the Mexican state of Michoacán. Ash and incandescent rocks emerging from this fissure preceded lava flows, violent explosions, and the birth of Mexico’s youngest volcano. Despite the prayers of the locals, the lava flows displaced the populations of two nearby villages and part of that of another. The final explosion of the Parícutin volcano was in January of 1952, nine years after its birth. By March of that year, it merely fumed, standing 424.6 metres tall-the first volcano ever to have been observed through its complete life cycle. “Parícutin” combines various types of animation with footage shot at the current site of the volcano to recreate the volcano’s full lifecycle. Available for purchase on the DVD collection Selected Works by the Loop Collective: Volume 1.
Parícutin
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“Procession” is a portrait of the modern Colombian city of Medellín filmed during the city’s Feria de las Flores, or Flower Fair, a famous annual celebration. Held during the first two weeks of August, this period of festivity was established in the late 1950s to celebrate the importance of flower growers in the regions near Medellín. It has since grown to include a range of festivities and to celebrate many aspects of this city and its surroundings. “Procession” proceeds through the city with a near-continuous camera motion from left to right.
Procession
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Pepper Highway is a reclusive poetess who lives in the desert under a Joshua Tree. She is a distant cousin of Canadian playwright / musician Tomson Highway and dancer / choreographer René Highway. This short piece is one of her very few public appearances. Pepper’s Lost Highway: Like rain on a blackened highway in a David Lynch film I dance over asphalt Splashing a peppery light reflecting off water Pirouetting a tangible memory of René His long red muscles An intertwinement of sinew, an oil gloss Whipping blue black hair In the darkness of a lost highway I dance over asphalt My feet tapping the stories of Reservations Tomson’s residential schools His clear dark eyes piercing glass The tapered fingers smoothing ivory into melodies I dance the stories of lost highways Of René and Tomson, of lost cousins Lives fashioned in the curved expanse of lost roads I dance over the asphalt of city streets Of highways across the wheat weaving prairies Roads bending across the story of Canada Written and danced Mouthed and played My cousins and I touch fingers We three spirits are the personification of two spirited people Polar opposites Raven and bear Trickster and coyote We embrace the difference our people celebrate in myth and song I dance over the asphalt that solidifies the legend of Highways A legend of the lost Highway
Pepper’s Lost Highway
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Inspired by the party game “I’ve Never Had Sex”, Kennedy captures true confessions on a cell phone.
I’ve Never Had Sex
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Constructed of footage and sound found on You Tube, “Here We Are” explores online watchers and their subjects. Low-resolution personal documents and family photos create this abstracted and voyeuristic video.
Here We Are
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A low-tech sci-fi story set in a disenfranchised, near-future post-Crash urban sprawl, a violent place with no one in authority. We meet the Switchcocks, an all-girl revenge gang who make their living by taking on vengeance contracts for other Glop residents, and running drugs. One night, Lexi, gang member by night, courier by day, hooks the gang up with the dangerously potent drug called ‘shift.’ They sample it and then they run amok, taking ‘vengeance’ on an Enclave drone – without a contract: for fun. Lexi awakens the following day and must deal with the aftermath and her own role in the gang’s actions.
Shift
