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  • Spare Change

    a 3 minute cameraless animated film. telling of the myth of the phoenix using every day objects

    Spare Change

  • Shaving Shania (2004 Images Fest Trailer)

    This silent 35mm film can be installed and projected as a continuous loop or just as one single viewing. “Shaving Shania” was commissioned as a trailer for the Images Film and Video Festival in 2004. The word IMAGE is broken down into the phrase, “I AGE” and is laid over found footage of a 1960’s film idol in a state of “cinematic”ecstasy.

    Shaving Shania (2004 Images Fest Trailer)

  • Cave, The

    After my first experience in a dark cave, I remember brief glimpses of images that were imaginary and real. No duplicate film prints or video copies of “The Cave” exist. This hand-made 35mm silent original film is intended to change and evolve with each projection.

    Cave, The

  • Jane’s Window

    “My grandmother cherished her large dining room window for the opening it afforded her onto the world. From this perspective she would espy the arrival of friends and family, contemplate the change of seasons and reflect on time past. On the shelves of this window she collected mementos of a childhood in China, life as an artist, and the travels in between. Combining images of my own travels through Japan and China with images of the home my grandparents built, ‘Jane’s Window’ reflects on the passing down of memory, curiosity and creativity across generations.” (CK) Selected screenings: Cinematheque Ontario, Toronto, ON, 2005; Fabulous Festival of Fringe Film, Durham, ON, 2006

    Jane’s Window

  • Rebuttal

    A brief history… At the Annecy International Animation Festival of 2005, a short abstract animation entitled, “Spiral” was presented in the opening night ceremony. The “unknown” abstract filmmaker, J.W.Murton, was credited with this work. “Spiral” was introduced at the opening ceremony as a rare abstract film made in the tradition of Walter Ruttman and Oscar Fleshenger. Sounds very good…. except… The real author of “Spiral” was none other than Bill Plympton. His real motive for making this film,-contempt – both for abstract films and filmmakers and the funding that goes with the territory. And now, it’s time for a Rebuttal!

    Rebuttal

  • Academy Stripper

    Using a “found” piece of fifties strippy teasy dance as the basis for rotoscope, I drew/traced/colored the dance and added echoes of images from family footage and various and sundry odds/ends including birds elephants and of course the academy leader countdown number thingee that we will soon see no more of…and I used the original sax track off the original found piece with some blips and o-pops…

    Academy Stripper

  • SIENA

    This short film was created especially for the Third International Short Film Festival of Siena in Italy, held in November, 1998. It was designed as an opening sequence to introduce the festival and was shown at the beginning of each of the ten in-competition screenings. The film begins with dream-like images of Siena at night. Through the combined rhythm of waving banners, galloping horses and distant voices, sound and image evolve into a world of cinema.

    SIENA

  • Zero Degrees of Separation

    “George Orwell, in his wildest dreams, could not imagine a place like this.” EZRA, ZERO DEGREES OF SEPARATION Described by the Israeli newspaper Haaretz as a film “bursting with concern about identities – sexual, national, political, generational, cultural, class, ethnic and more,” Elle Flanders’ feature -length documentary “Zero Degrees of Separation” breaks from the sensationalistic media coverage of violence in the Middle East by examining the current conflict through the eyes of two mixed Palestinian and Israeli gay couples. Courageous and outspoken, their relationships are as complex and volatile as the politically charged world around them. Selim, a Palestinian, and Ezra, an Israeli, fight for the right to live together in Jerusalem. Already stigmatized for their socially taboo relationship, they live under constant threat of Selim’s deportation, despite his family’s connection to the city. Edit and Samira, a lesbian couple, work hard to try to bridge the divide between their cultures. Faced on a daily basis with the injustices of work visas, checkpoints, harassment and family separation, they remain surprisingly hopeful and compassionate. Their stories are skilfully interwoven with archival footage that depicts an idealized Israel of the 1950s. These rare, haunting images, taken by the filmmaker’s own grandparents, depict a fledgling nation brimming with pioneering joyous youth, immigrants, refugees and endless open vistas of the Holy Land. Through modern eyes, these same images now evoke larger questions of humanity, conflict and nationalist aspiration. Elle Flanders’ uniquely human aesthetic makes Zero Degrees of Separation not just a film for our times but a film for all times. “Zero Degrees of Separation” is directed, written and produced by Elle Flanders (Graphic Pictures) and produced by Elle Flanders and Peter Starr (NFB).

    Zero Degrees of Separation

  • Slide

    Through a simple act of child’s play, a young boy confronts both his parents’ overwhelming protection and his own very real fears. “Slide” is an animated short film whose narrative centres around the metaphor of being handicapped. Even loving parents hand us crutches; what we do with them is up to us.

    Slide

  • Der Fus Tort

    A 21st-century take on the tower of Babel story, this zany animated tale combines modern Yiddish storytelling with the hottest of new media. From angel’s foot cake to angels’ cheese cake, this delicious serving of new Yiddish film comes complete with a high fat, double, double ending. “Whimsical drawings and Yiddish humor animate this charming tale. ‘Der Fus Tort’ is a treat for all ages.” – Susan Alper, Director Montreal Jewish Film Festival Yiddish /w English subtitles

    Der Fus Tort