Freud was wrong – it is actually all about colour and form. A hyper-aesthetic sexploration trilogy with appearances by Jiva MacKay, Belleisabelle and Petra Chevrier. “Bedroom Suite” was made in response to Canada Custom’s definition of “obscenity.”
Filter Films
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John Porter uses film as visual art, much like painting or sculpture,. Most of his 300 films are silent, very short and made in series, such aas landscapes, cityscapes, popular rituals, crowd documentaries, local histories, toy stories and “Camera Dances” in which he performs for the camera. Unlike most filmmakers, John shows his original films (no copies) and incorporates performance into the exhibition by miming in front of the screen, moving a hand-held projector around the room, and talking with the audience during the his films. He has been invited to many university film production classes to demonstrate a different way to approach filmmaking and exhibition. Porter’s films exploit and celebrate the unique qualities of Super 8 film and equipment – simple, economical, accessible, inconspicuous, portable, fun, spontaneous, intimate and expressive. Some of his films are “experimental,” often using pixilation (a form of live animation), but all of his films are better termed “personal” because of their subjects and the fact that everything (writing, designing, acting, shooting, editing, sound recording and projecting) is done by the same person. His films are dynamic, fun and revealing, and can be enjoyed by people of all ages. “…as magical for contemporary audiences as the original Georges Méliès trick-films must have seemed a century ago.” – Scott MacDonald, “A Critical Cinema 3,” University of California Press, 1998 “Porter is an ideal experimental film ambassador to the general community. His films are fun to watch and require no prior schooling to appreciate.” – Chris Gehman, “The John Porter Film Activity Book,” Pleasure Dome, 1998 “…unique in my experience of movies.” – Jim Hoberman, “The Village Voice,” 1982 The John Porter Sampler contains eight Super 8 films made between 1974 and 1992 which are available for preview on VHS – many titles are available for exhibition on Super 8. Due to the volume of work and specific exhibition requirements, please contact the CFMDC for more information. Titles on the John Porter Sampler: Cinefuge (5 min. sound 1974-81); Martha’s Balloon Ride (5 min. silent 1981/82); Canoe Trip (3 min. silent 1986); Calendar Girl (4 min. sound 1981-88); Picture Pitcher (5 min. sound 1989); Toy Catalogue (13 min. sound 1981-89); Secret of the Lost Tunnel (4 min. sound 1992); Pleading Art (3 min. Sound 1992)
John Porter Sampler
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“Buoyant” is a charming experimental documentary which interweaves the stories of the Padded Lilies – a troupe of fat synchronized swimmers – and Archimedes – the Greek mathematician obsessed with floating bodies and inventor of the “Drystroke Swimulator.” It leaves us with the exuberant possibility of a fat body that literally and culturally rises, like cream, to the top. Please note: “Buoyant” can also be presented with live musical accompaniment. Contact the CFMDC for more information.
Buoyant
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Paul wants to escape the pressures of teaching his homophobic students by entering the fantasy world of ballroom dancing. After a disastrous experience at a straight dancing school, Paul’s life takes a definite turn for the better when he discovers Linda, the glamorous lesbian dance teacher. But who will he be dancing with at the college Xmas party? “Strictly adorable.” – Shane Smith, Inside Out Toronto Lesbian & Gay Film & Video Festival “Absolutely wonderful.” – Jennifer Stark, Palm Springs International Short Film Festival
Ginger Beer
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The Grimm Brothers recount their post-apocalyptic vision of a mother forced to give up her youngest child. Adapted from the German fairy tale “Godfather Death.”
Mütter, Die (The Mothers)
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Restless schoolboys in class have daydreams that are sweet and romantic, hot and raunchy, and disturbingly violent.
Phineas Slipped
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A camera-less, hand-painted animation inspired by the Roman sculpture La Spinozza, which depicts a young woman removing a thorn from the sole of her foot.
Thorn Picker, The
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“her carnal longings” is a beautiful meditation on the human body and the film medium at a time when the futures of both are in question. Using the “emulsion lift” technique on 16mm film, sections of emulsion were lifted off, torn up or smudged, and then re-adhered. In combination with digital video technology, the filmmaker creates an intricate analogue/digital weave which explores both the body’s and the film’s surface. The film emulsion wrinkles, rips and dissolves – reminding us that it, like human flesh, is fragile and perishable.
her carnal longings
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After being left at the altar, Madelyn (Dawn Herriott) decides she must take control of her own destiny. She convinces her best friend, Lydia (Brigitta Dau), to help her “gather information” on a potential mate. The film begins as the two venture out on a weekend stakeout, living out of a tiny Chevy Sprint. The novice “stalkers” must make do with their limited resources: binoculars, headphones, and baby monitors serving as a bugging system. With everything in place, they stumble upon a startling discovery which changes their whole plan… Director: Jesse Weathington Jr.
Stalkers
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Brian Stockton’s series of eccentric autobiographical short films continues with “That’s My Wonderful Town,” an ode to Regina, Saskatchewan, Canada – past, present and future. The Supers return for part 2 with another stunning musical score, and the filmmaker’s son, Keaton L. Stockton, appears as “Kindergarten Brian.” “Saskatchewan Part 2” also features special appearances by Prince Edward, the Earl of Wessex, and David Letterman’s gas pump jockey, Dick Assman. Filmed in glorious 35mm Panavision®, this is Saskatchewan like it has never been seen before.
Saskatchewan Part 2 (That’s My Wonderful Town)
