“Class Queers” is an intimate and compelling documentary about teenagers and homophobia. It is an account of three gay and lesbian kids from Toronto who weave their way in and out of the education system as a result of the harassment they encounter. “Class Queers” begins mid-way through the school year, as the viewer is introduced to the Triangle Program, an alternative high school classroom for Gay, Lesbian, Bisexual and Trans youth. Located in the basement of a church in downtown Toronto, it serves as a life raft for the kids who are lucky enough to find their way there. The film follows three of these students: Adina, 15, the daughter of a prominent Conservative Rabbi, struggles with the unwavering expectations of her family and a Jewish community that cannot understand the changes she is going through. She is a strong-willed and brilliant fifteen-year-old who has aspirations of being the first Jewish, Dyke, Prime Minister of Canada. She longs for the approval of her father but at the same time is defiant of his wishes when she shaves her head and refuses to wear dresses. Adam is a middle class seventeen-year-old who has a loving, supportive family. But this love does not save him from being constantly targeted on the streets for his effeminate nature. As early as grade four the other kids harassed Adam. After he faced years of threats and mockery from both students and teachers at his massive suburban high school, Adam finally decided to go to the Triangle Program. In many ways he is a normal teenager worried about his appearance and finding a boyfriend. Yet his biggest struggle is finding a place for himself in a world that prefers he hide who he is. Richard, 17, is the son of a single mother who is intolerant of anything GAY. She hates the “fag” school that he attends and lets him know it. They live with her homophobic boyfriend in a chaotic, filthy, one-bedroom apartment in a working class neighborhood where Richard has no privacy. While he tries to love his mother, he also struggles with the reality of his situation as she continually disappoints him. Meanwhile he is in love with his first serious boyfriend and has big plans for them to move in together. However, things are never what they seem. Eventually for Richard school takes a back seat to survival. “Class Queers” will take the viewer into the seldom seen world of queer teens, experience their triumphs, witness their disappointments and understand the day-to-day struggles that they are forced to confront. Though many people have wanted to make a documentary about the students at Triangle, this is the first production that has been granted permission to bring cameras into the classroom.
Filter Films
-
A nervous first-time director got confused during auditions and turned the camera off instead of on.
Casting Couch
-
“Elegy” is a dance WITH film rather than ON film. The cinematic and choreographic elements work together to evoke a poem of lament or mourning- a poem that explores the inextricable link between life and death.
Elegy
-
A poem about breaking the ties that bind, “Passing” allows the viewer her/his own experience of place, remembrances, love, and the present.
Passing
-

A short story for children, adults, and human societies; a five minute “moral adventure” about two dognappers who steal a valuable singing dog in Southern Ontario.
Carry on Crime and Punishment
-
“Eros and Wonder” is an extended journey into image manipulation which uses a hybrid of analogue and digital techniques. Chemical transformations of the image are combined with electrical modifications to produce a fantasia of vibrantly coloured alchemical forms that suggest an erotic wonder at all the world’s surfaces.
Eros and Wonder
-

Toronto, love it or hate it; the overwhelming chaos of the city, the noise and smog. Shot in three different mediums – miniDV, 16mm and Super 8 – hand-processing attempts to subvert the reign of video and “take back film” by shooting video onto film. The processes involved in making this film rely on the physical interaction with the film, creating a personal and intimate chemical reaction. The random rhythm of the optical printing, the scratchy, worn-out look of the hand-processing and the aural collage evoke an emotional and experiential response to living in this crazy town we call Toronto.
Urban Caustic
-
Nostalgia appropriated from Hollywood soundtracks addresses the problem of artistic innovation in a post-modern age by using videotaped images projected from a broken Super 8 projector.
Suburban Is a State of Mind
-

Using the cut-out style of animation, I tried to marry the classic engravings of Gustave Dore to the classic poem by Samuel Taylor Coleridge through a classic narrator: Orson Welles. It’s a long opium dream of the old Mariner (Welles) who wantonly killed the albatross and suffered the pains of the damned for it. (LJ) Original narration by Orson Welles; made possible by a grant from the National Endowment for the Arts. “The film, far from being a mere visual accompaniment to the poem, has an integrity of its own. Throughout the film, serpents, butterflies and other creatures from Jordan’s earlier works such as DUO CONCERTANTES and GYMNOPEDIES appear, bearing the unmistakable signature of the artist, creating mysteries, subtleties and rich asides. These are the strokes of genius, the touch of the craftsman, which have turned old material into new, translating 19th century art into a totally new kind of masterpiece. The Mariner lives as he has never lived before.” – Carmen Vigil, San Francisco Cinematheque
Rime of the Ancient Mariner, The
