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  • Missing

    A young boy uses creative tactics to gain the attention of his busy family.

    Missing

  • Angela

    After she falls unconscious while exploring alone in a forest, concern for young Angela’s safety causes family conflict.

    Angela

  • Rock

    Rocker dude takes us on a tour of the prestigious sites of his past gigs, including the local post office, hair cutting salon, and grocery store.

    Rock

  • Snap

    A collection of pictures and old autograph-book rhymes capture a particular glance at a life.

    Snap

  • Grasp

    A gang of girlfriends plays together. Through their games one wonders when we stop feeling what we play at and start becoming a reflection of what others have told us to feel, particularly in a landscape where people seem to conjure up the deepest of emotions for the simplest of objects.

    Grasp

  • Licked

    A go-go-get-it girl looks for love in the fine features of many a plate, only to end up falling face first into her one true dish.

    Licked

  • Bridges-Go-Round

    Manhattan becomes a maypole as its bridges execute a carefree but magical dance. There are two versions of the film on the reel, one with an electronic soundtrack by Louis and Bebe Barron, and one with music by Ted Macero and his group. The director feels that both should be seen, the electronic-sound version first because that sound vitally alters the responses of the viewer.

    Bridges-Go-Round

  • Difference, La

    A wild animation about a wild imagination. In a bar, a place of mystic scenes, Kim is dreaming of his wish of being a woman. His dreams turn into reality through the help of a bartender who is not as he seems to be. This is a story about gender confusion and confusion of transexuality and transvestitsm.

    Difference, La

  • Odessa

    In a threnody for the losses of a century, and his own hundred deaths, the androgyne Odessa reflects on brutality borne from a hundred years of sexual theory. This film, through the eyes of its pan-sexual hero/ine, is Beveridge’s polemic against progressivism, eugenics and technology.

    Odessa

  • Wilma’s Sacrifice

    This film tells the tale of young Wilma’s (Kat Lanteigne) romantic escapades with Christine (Jen Wilson) a woman from the “outside” world. Surrealistically set in the 1950s, the town of Eden is a place where the air is haunted with silence. Wilma has to choose whether to redeem herself in the eyes of her religiously obsessed brother James (Mar Andersons), her neurotic chain-smoking Mother (Carole McCormick), and her opprobrious Father (David Fredericks), or escape Eden, a place where one can never feel quite clean enough.

    Wilma’s Sacrifice