Rembrandt, Etc. and Jane

Here are four films, the interrelationship of which constitutes a complex quarto-thought-process: Not that the four sets-of-thinking are “parallel” in any sense, or that themes of each film inter-weave meaningfully in the three others, but rather as four “mobiles,” each seen separately, might be remembered as turning all at one in the same space without interfering with each other. (SB)