As a textual surface, skin becomes the privileged vehicle for the representation of history. A site from which culture defines spatial concepts of containment and exclusion, the marked skin is the point of entry for an analysis of institutions, economic processes and ethical systems. A metaphor for external boundaries, the tattoo traces an architectural system of social discipline applicable to prisons, factories, schools, warehouses: all the places that operate on principles of isolation and surveillance.
Skin Flick
- Film Maker
- Kovacova, Milada
- Year
- 1991
- Country
- Canada
- Language
- Format
- 16mm
- Length
- 9
- Genre
- experimental
- Category
- Architecture, body, Work about Women, Work by Women


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