To the child mind, the transformative sacrificial power of “O, Lamb of God” is a daily manifestation – not as an adult shift-of-interest, but rather as ritual magic in which a toy train (“-of-thought,” an adult might say) becomes medium of shifts-of-scene, soforth, wherein an elephantine shape transforms to a more “real” (i.e. less metaphorical) train, in sacrifice of transformative elephant, so on-&-on. An earlier film, “The Machine of Eden,” is of some similar construct (as is a good deal of western painting) in its insistence upon contemporary mise-en-scene as grounds for Biblical lore.
Agnus dei Kinder Synapse
- Film Maker
- Brakhage, Stan
- Year
- 1991
- Country
- U.S.A.
- Language
- Format
- 16mm
- Length
- 4
- Genre
- experimental


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