Dream, N.Y.C., The Return, The Flower, The

“These are four individual films which together make an autobiographical travel narrative, question the aesthetic separation of ‘great’ and ‘ordinary’ experience, and propose an aesthetic which might contain, within a single work, a diversity of styles – from complex formal construction, to ‘home movie’, to single framing in a greenhouse. The second of these films presents the sometimes terrifying power and majesty of New York City in a clear precursor to the later ‘Unconscious London Strata’ (1981).” – M.J.