“The figure of the jig-saw / that is of picture, / the representation of a world as ours / in a complex patterning of color in light and shadows, / masses with hints of densities and distances, / cut across by a second, discrete pattern / in which we perceive on qualities of fitting and not fitting / and suggestions of rhyme / in ways of fitting and not fitting – / this jig-saw conformation of patterns / of different orders, / of a pattern of apparent reality / in which the picture we are working to bring out appears / and of a pattern of loss and of finding / that so compels us that we are entirely engrossed in working it out, / this picture that must be put together / takes over mere seeing.” – Robert Duncan
Engram of Returning
- Film Maker
- Saïto, Daïchi
- Year
- 2015
- Country
- Canada
- Language
- Format
- 35mm
- Length
- 19
- Genre
- documentary, experimental, hand-processed
- Category
- found footage, Landscape, Portraits, Sound Art + Music

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