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  • Meer der Dünste (Sea of Vapors)

    A cascade of images cut frame by frame flow into an allegory of the lunar cycle.

    Meer der Dünste (Sea of Vapors)

  • Lily In The Grinder

    Kaleidoscopic, operatic, and layered, Lily in the Grinder explores meaning through sex, death, and time. We already are everything we will ever be.

    Lily In The Grinder

  • Monster Mash

    A Halloween hookup turns into something more for a pair of morbid misfits costumed as Horror Cinema’s most iconic female characters. Monster Mash is a queer valentine to horror cinema, paying homage while vilifying the genre’s homophobic elements through subversion, appropriation and recontextualization, The film is supported by the Canada Council for the Arts and the Toronto and Ontario Arts Councils.

    Monster Mash

  • Edgy Sexy Modern

    Edgy Sexy Modern is shopping as ritual — a twenty-first century, yet primeval dance. Edgy Sexy Modern was shot entirely inside mega-malls with a pocket camera that was dismissed or unnoticed by security guards and public alike. By using many creative editing techniques, this film unmasks mass behaviours and intimate, unguarded moments between individuals. The ritual is enacted in front of logo texts like Armani, Lacoste, Holt Renfrew, Banana Republic, Apple, and Tesla. No product is ever shown, but we know what these logos signify. Outside class, race and ethnicity may divide the cosmopolis, but inside the mega-mall the diversity of its comingled peoples is strangely celebratory.

    Edgy Sexy Modern

  • DP2

    DP2 is the restored version of the film DP (Displaced Person), originally released in 1982. Uniquely melding documentary and contemporary performance art, DP2 is based on the reminiscences of a displaced Ukrainian who spent most of World War II in Nazi Germany and miraculously survived forced labour, concentration camp internment, and near-deportation to Siberia. Intercut with the narrative are dynamic movement sequences shot in a vast glass and marble structure, choreographed and performed by Lily Eng (Canadian Spotlight Artist, Reel Asian International Film Festival, 2011). Eng’s action sequences expand the intellectual and emotional resonances of the narrative, and vice versa. Her unique choreography, both visceral and cerebral, has been honed in art galleries worldwide and described as on the cutting edge of performance art. On another level, the juxtaposition of live sequences with intertitles in this film has been described as “powerfully evocative and absolutely brilliant” (American Film Festival, New York, 1983). DP2 is startlingly prescient, especially considering when it was first released. Though it is a very personal narrative, DP2 candidly and unflinchingly deals with issues that are still politically volatile. It places contemporary developments in Ukraine in historical perspective, explaining their inevitability, while reflecting on the nature of human displacement everywhere.

    DP2

  • The Dancer and The Crow

    Who we are on the outside does not always represent who we are on the inside. When one man takes a closer look at his inner self, he discovers the beauty he has been hiding from the world. He decides to stop hiding and embrace who he truly is.

    The Dancer and The Crow

  • Former Models

    A public and private history undo themself(ves) as they mutually encounter the trials of Labor, Love, Loss and Planned Obsolescence. A body desires its Other: a simulation is transgressed and the ultimate price is paid- “No-body is above The Law.” In this docu-narrative, the tragic story of Milli Vanilli’s Robert Pilatus and his descent into a post-racial and post-gendered pure image is told through appropriated video footage. A fabricated narrative conceived by the artist collides with Pilatus’ public biography in a technologically mediated flash of desire and information. This video is dedicated to the very real life of Robert Pilatus, 1965-1998.  

    Former Models

  • The Foxy Merkins

    Two lesbian hookers wind their way through a world of bargain-hunting housewives and double-dealing conservative women in this subversive buddy comedy. An homage to and riff on iconic male hustler films.

    The Foxy Merkins

  • Time Being VI

    To be included with the series Time Being I-IV.

    Time Being VI

  • Time Being V

    To be included with the series Time Being I-IV.

    Time Being V