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  • Love Me

    Using only text-on-screen, Love Me distills the emotions of an earlier film, Beating: emotions conflict, confuse and are difficult to reconcile. The texts ‘speak’ unsaid and unsayable thoughts, impolitic or just impolite. They are suppressed exclamations from past injustices and hurts; angers surface which are interrupting, erupting and demanding of attention.

    Love Me

  • Colour Theory

    Goethe’s colour theory dealt with the optics of colour relations while Rudolf Steiner’s and Kandinsky’s theories attribute emotional, musical, and spiritual affects to colour. North American Natives see personality traits, states of mind, seasons, races and the four directions in the four colours: red, yellow, white, black. What’s in a name, what’s in a word? A world of colour

    Colour Theory

  • Far From

    Constructed with repetitions and variations in reference to the musical form of a nocturne, Far From is an accumulation of the layers, density and noise of existence. The film evokes the ghosts of lives lived and the traces of lives being lived, rising. French Synopsis: À l’instar d’une nocturne, les variations et les répétitions du film « Loin de » agencent les couches, la densité et les bruissements de l’existence – les fantômes de vies passées et les traces de vies toujours présentes, en devenir.

    Far From

  • Tonight It’s Me

    A hustler and a trans woman meet up randomly for a late night tryst. Over the course of the night, the unlikely pair confess to some uncomfortable secrets and discover hidden truths. The two realize that they share a genuine and intimate experience much deeper than a hook-up.

    Tonight It’s Me

  • de(con)struct

    Double exposed and edited entirely in camera this work plays with ideas of gender expression and creation while addressing the possibility of conflicting aspects of one’s self identity: the perpetual construction and deconstruction of gender.

    de(con)struct

  • Ephemeral Solidity

    This is one of the most elaborately edited of all the hand-painted films of late – a Haydenesque complexity of thematic variations on a totally visual (i.e., un-musical) theme. This film is composed of 35mm hand-painted images reduced to 16mm film, single-frames, shots of two, three, four frames and, occasionally, slightly longer shots, all interspersed with a variety of calculated lengths of black leader which cause a flickering of abstract patterns in rhythmed darkness.

    Ephemeral Solidity

  • What I Want / What I Have

    Incongruities between body and gender become an obstacle for lovers as they navigate the painfully awkward rift between dysphoria and desire. 

    What I Want / What I Have

  • unexplained as yet

    The vernacular of gender identity is ever growing and changing, yet many continue to live beyond these definitions, defying language and category; we are unknown, akin to mythical creatures. Multiple exposures of a single roll of Super 8 film allow a brief glimpse into the heart of this chimera: to be unidentified…unexplained.

    unexplained as yet

  • Regarding

    Regarding is a film inspired by scene no. 50 from The Red Violin (1998). In this free adaptation, the violin has been changed into a camera, an object that ignites a young woman’s passion for fame. **The dialogue and music from the film were re-mixed with permission from the producers of the film, Rhombus Media**

    Regarding

  • Night Vision

    A scientist swims underwater at night, her body adorned with pulsing electric lights. A blind man sends giant soap bubbles filled with his memories floating across a lake. Children play innocently on a raft as they drift downstream towards the edge of a perilous waterfall. Night Vision brings together stories of people who find light in darkness.

    Night Vision